Mural painting combined with bedding became common in Iran from the Parthian era.
Mani, who was a painter of the Parthian period, had a good command of the styles of Iranian painting in his own period, and his illustration is quite evident in his surviving book, Arjang.
According to some scholars, Manichaean painting has formed the basis of Iranian painting.
Therefore, in addition to being considered one of the founders of modern graphic art in Iran, Master Mohammad Bahrami traces the art of painting and miniature methods and styles of alist and naturalism, black and white works, as well as a combination of modern and traditional art. The taste in creating the role of Iranian gilding can be clearly seen in his works.